Casey Coleman is a filmmaker, musician and Executive Director of Court 13 Arts. Upon moving to New Orleans in 2005 to study film at the University of New Orleans, Casey fell in with the whirlwind that was the Glory at Sea film crew, and has been collaborating with Benh Zeitlin and the rest of the Court 13 universe ever since. As a freelance filmmaker, his credits include: Producer, Brimstone & Glory; Associate Producer, Beasts of the Southern Wild; supervising locations and casting; Speciality Casting, 12 Years a Slave; and Producer, Big Freedia’s Y’all Get Back Now music video. Casey helped found and has been the Executive Director of Court 13 Arts since 2016. He also plays guitar and bongos in Rory Danger & the Danger Dangers, the world’s only 7-piece Dadaist rockabilly performance art band. He believes enormously in the power of celebration and collaboration as uniting forces.
For the majority of Hilary’s professional career, she has supported film and multidisciplinary arts organizations that explore creative expression, artistic discovery and the power of storytelling. As the previous Development Director of the youth media organization Spy Hop Productions and Northwest Film Center, she raised critical funds and provided strategic direction for long-term financial sustainability. In various grant-writing, marketing, programming and education outreach positions, she has supported the Writers Guild Foundation, Maine Alliance for Arts Education, Bootleg Theater, Social Impact Media Awards and others. In Los Angeles, CA and Seattle, WA, Hilary provided arts management (fundraising, communications and story development) services through her independent consulting business. She has a B.A. from Lewis & Clark College in Portland, Oregon and went on to study documentary filmmaking with the Maine Media Workshops and Barefoot Workshops (making a short doc in Clarksdale, MS). She has lived abroad in France, Ireland and South Korea. In 2018, Hilary graduated from The Foundations of Conversational Leadership program at the Whidbey Institute, led by poet, philosopher and theologian David Whyte.
Benh Zeitlin is a writer, director, composer, and founding member of Court 13. His award-winning shorts include Egg, Origins of Electricity, I Get Wet, and Glory at Sea. His work has received support from the New York State Council on the Arts, The Jerome Foundation, Rooftop Films, and the San Francisco Film Society, and Cinereach. His first feature Beasts of the Southern Wild won 74 awards at International Film Festivals including the Grand Jury Prize at Sundance Film Festival, the Camera D'Or at Cannes. The film was released by Fox Searchlight and was nominated for Best Picture, Best Director, Best Actress, and Best Adapted Screenplay at the 2013 Academy Awards. Since then he has founded Court 13 Arts, and continues to develop his second feature film Wendy from his home in New Orleans, Louisiana.
Jane Geisler is a New Orleans-based film editor. She has edited award-winning short films, documentaries, music videos, branded content, and commercials for national broadcast. Her work in documentary features has included films on New Orleans’ dance culture, the Confederate monument controversy, and mining on indigenous lands across the globe. Jane attended the University of Mary Washington and the London Film Academy and is a member of both Women in Film and Television Louisiana and the New Orleans chapter of Film Fatales.
Neil Alan Barclay is the Chief Executive Director of the Charles H. Wright Museum of African American History in Detroit, MI. Prior to joining the Museum in January 2019, Barclay was the Executive Director at New Orleans Contemporary Art Center from 2013-2018. Barclay has demonstrated his personal commitment to art and culture as a peer panelist for the National Endowment for the Arts, New England Foundation for the Arts’ National Dance Project, the Gerbode Foundation and the Mid Atlantic Arts Foundation. A leading national presenter of contemporary performing and visual arts, Barclay serves on the Board of Directors and Executive Committee of the regional arts organization South Arts.
He is currently a member of the College of Communications and Fine Arts Advisory Board for Loyola Marymount University, Los Angeles, his undergraduate and law school alma mater.
Susan Brennan is the 2016 Women in Film and Television Louisiana Iris Award winner. A graduate of Trinity Episcopal School, Isidore Newman School and Vanderbilt University, Susan is a lifelong resident of New Orleans.
Brennan is the owner and developer of Second Line Stages, the first LEED Gold certified, state of the art, sustainable sound stages in the United States, in addition to being a real estate developer and former board chairman of Prospect New Orleans Art Triennial. Boards include The Metropolitan Crime Commission, Prospect New Orleans, Young Life, Bureau of Governmental Research, and honorary director of the New Orleans Film Society.
Sara is a veteran of the magazine publishing world (founding Creative Director of Domino Magazine, Editor at Martha Stewart Living among many others) has covered news and style for a variety of blogs and publications including Departures, New York Times: T Magazine and The Wall Street Journal.
Costello and her family live in New Orleans Garden District. Her decorating and dress design headquarters are located in a nearby renovated church known as The Church of Paul and Sara. Sara decorates for both commercial and residential clients, creating artistic, old world interiors mixed with modern details, as well as designs a small batch clothing label which expands on the bohemian elegance found in her interiors. Costello is currently decorating for the Hotel Chloe, a boutique hotel with a restaurant, pool and bar located on St. Charles Avenue in New Orleans, slated to open January 2020.
Philipp founded and currently serves as the Executive Director of Cinereach, an independent film company dedicated to vital, artful filmmaking. Cinereach current not-for-profit collaborators include Sundance Institute’s Art of Nonfiction and Producing initiatives, Borscht Corp. of Miami, Indie Memphis, and Detroit Narrative Agency (DNA).
Originally from Germany, Philipp attended NYU’s Tisch School of the Arts and is currently based in New York. Phil also serves on the boards of the Independent Filmmaker Project (IFP), Cinema Conservancy, and is a Trustee of the Sundance Institute.
Josh Penn is a producer with the Department of Motion Pictures, based in New Orleans. He produced Beasts of the Southern Wild (2012), for which he was nominated for Outstanding Producer at the 2013 Producers Guild Awards. He has also held producing roles on Patti Cake$ (Sundance 2017), Western (Sundance 2015 Special Jury Prize Winner), The Great Invisible (SXSW 2014 Grand Jury Prize Winner,) and Contemporary Color among other films. Josh had two projects premiere at Sundance 2018: Reinaldo Marcus Green's debut feature Monsters and Men and Sam Green's live documentary A Thousand Thoughts. Additionally, Josh has been a leading member of the Court 13 collective for over a decade. In 2018, Josh was accepted as a member of the Academy of Motion Picture Arts and Sciences.
Jolene Pinder is a New Orleans-based documentary producer and currently serves as the Executive Director of #CreateLouisiana, a grantmaking organization designed to champion Louisiana talent in film. Prior to this role, she served as the Executive Director of the New Orleans Film Society—the producer of the Oscar-qualifying New Orleans Film Festival—for six years. She also teaches at Loyola University Center for Music and Fine Arts/Digital Filmmaking.
For four years prior, she worked at Arts Engine / Big Mouth Productions in NYC as a documentary film producer and Director of the Media That Matters Film Festival. She recently produced the documentary short, All Skinfolk Ain't Kinfolk (dir. Angela Tucker), which premiered at DOC NYC in November 2018. Other documentary producing credits include: (A)sexual (premiered at Frameline Film Festival), Arctic Son (broadcast on POV), Election Day (broadcast on POV), and Pushing the Elephant (broadcast on Independent Lens). She is currently producing the documentary feature Hollow Tree, a recipient of development funding from the Sundance Documentary Film Program, Fork Films, and the International Documentary Association.
Jen Rainin launched the Kenneth Rainin Foundation in 2009, and has served as CEO since that time. Under Jen’s leadership, the Foundation has adopted a targeted approach to grantmaking in the arts. Specifically, she established the SFFILM/Rainin Filmmaking Grants, a successful partnership that has become the largest granting body for independent narrative feature films in the US. She also helped create the Community Arts Stabilization Trust, a groundbreaking real estate holding company, which has gained international recognition for its approach to mitigating the displacement of arts and cultural organizations throughout the Bay Area.
Chloe Walters-Wallace manages the Firelight Media Documentary Lab, a fellowship that provides mentorship, funding, and access to first and second-time filmmakers from racially and ethnically underrepresented communities, as well as "Groundwork" a new initiative which aims to expand the pipeline of emerging independent diverse makers from the South and the Midwest.
Previously, Chloe was Program Director of the New Orleans Film Society's Emerging Voices Mentorship Program, which establishes meaningful connections between industry leaders and Louisiana based filmmakers of color. Chloe has served on juries for NEA Media Arts, Create Louisiana, The Tricentennial Story Incubator, CAAM, Southern Circuit Tour of Independent Filmmakers, PBS Online Film Festival, Reel South, Cucalorus Works-In-Progress Lab & the TFI If/Then Short Documentary Program.